Angels Wear White could not have been more different. Though also a film about exploitation, this is set in a seaside town in South China. Directed and written by Vivien Qu, it follows the lives of some young schoolgirls and their indirect relationship with a young girl working in a motel.
Brilliantly cast, with young girls who were not necessarily actors, this film explores Ms Qu’s observation that in modern China, where families are becoming dis-united, parents sometimes working in different cities, leaving children with grandparents, relatives or alone, there is a growing and disturbing rise in young people living rough on the streets, sometimes working in the sex-industry or simply giving “favours” for food and accommodation.
Runaways without ID are also vulnerable to exploitation and do menial work in hotels and restaurants, low paid and borderline work which is neither legal or safe.
In this film the setting is a coastal town, there is a huge funfair at the gates of which is a gigantic statue of Marilyn Munroe (who some might also see as an icon of exploitation) in her famous dress malfunction pose in Some Like it Hot. Her high-heeled shoes are just about the same height as the first girl that we meet, the runaway hotel worker.
The story focuses upon bribery and corruption in the highest echelons of the justice service, and the behaviours which lead to blackmail and beatings. It is a compelling look at the underworld and although set in China, it has a universal message about how young people are treated in the 21st century.