The first film that I saw today was a documentary, Unsettling. The clue is in the title, since this was an exploration of how people feel living, as they do, in the West Bank settlements in Israel/Palestine.
Iris Zaki set up three cameras and had several conversations with young people who had either been born in Tekoa or had moved there. The cameras were deliberately unmanned, she set them running together, two on the face of the subject and one on her. In the Q&A she revealed that the conversations went on for up to an hour or an hour and a half, and covered numerous topics: dating, childcare, schools and also the feelings of the settlers, their awareness of the Palestinian village just nearby, and whether they met each other.
There are panoramic landscapes and pictures of the settlement and indeed of the Palestinian village nearby; the inevitable queue of workers at the Tekoa checkpoint; plenty of barbed wire. Houses tenaciously clinging to the hillsides, like their inhabitants.
It was very important for Iris that the conversations were not conducted like an interview, which was part of the decision not to have a cameraman. The table with two chairs was outside a local shop, which also seemed to sell coffee and other drinks.
This is an important film because it does give a very open view of the vast differences of opinion between the people living in this one place. Tekoa was settled first in around 1978, and deliberately invited both strictly Orthodox and non practising Jews to live there. Now those people are elderly and it is their children whom Iris most wanted to speak to.
She rented a flat in Tekoa; it is clear from the beginning of the film that she is not entirely welcome and it does take quite a while before anyone will engage with the project, but when they do, one can see what a very complex, diverse and difficult situation they have to deal with.
Some people are fearful, some arrogantly entitled, some conflicted themselves – one young man who was not religious actually felt bad about living there, but the schools were good and his wife had family and friends, so he decided that they could live there, but not in a new house – in other words he was not prepared to advance or enlarge the existing settlement; on the other hand, a young woman who had grown up in Hebron had no empathy for the previous inhabitants of the land, they were Arabs and they had no business to be on “our” land; there was another remarkable woman who had even been attacked and stabbed by an Arab – this she saw as a message from God, a way of making her think differently and to act differently, and so she and her family are actively seeking rapprochement with Palestinians, indeed after the attack a group of Palestinians came and prayed in her house and asked for forgiveness; the shopkeeper who had let Iris set up more or less on his premises, had grown up with Arabs, his family farm was mostly worked by Palestinians, even to this day.
While filming, a Rabbi and his family were shot at, the Rabbi was killed and the mother and two children were seriously injured; then Iris discovered that her neighbour in Tekoa was their eldest daughter. This too, put another perspective on the film.
This is a thought provoking film. It is provocative but not a polemic. Unsettling indeed.
This is brilliant and there are so many reasons why everyone should aim to see it. The casting is unparalleled. Robert Redford and Sissy Spacek had never acted together before, indeed hardly knew each other and yet the rapport between them is tender and authentic; the cops are a wondrous bunch, straight out of Keystone school of policing, but Casey Affleck as the detective, John Hunt, is understated, determined and finally frustrated.
While filming was actually going on Robert Redford announced that he was retiring and if this is really his last film, it could hardly be better. It is an all round heist caper, based on a true account that Redford read about in the New York Times and thought would be fun to make.
The cinematography is brilliant at evoking the times, but also captures something of the essence of Redford’s entire career. Quite outstanding and a highly, exceptional and poignant swan song. Do not miss it. UK distribution will start on December 7th.